Read our educational icons roundup article for more graphic inspiration! Check Out Our Education Icon Collections Searching Noun Project’s vast database of over 3 million icons is always a treasure hunt: has someone in the world already designed an icon for even the most obscure concept you can think of? Perusing the site for inspiration can become an active brainstorming exercise for how to perfectly represent the idea you’re teaching. Use icons to walk students through a more complex process and identify the right tools in a lab procedure. You can also use “Exit Tickets” and other check-ins to gauge how students are feeling and whether they need additional help with course material. Personal Check-Ins and Get-To-Know-You Exercisesīoost classroom bonding by letting elementary-age students share fun facts about themselves, or kick off the school year by letting students visually recap their summer. Simpler word-to-picture matching worksheets are also great for foreign language instruction at any grade level. Elementary Math and Vocabulary Worksheetsįor elementary school teachers or parents at home, simple word-match or counting exercises boost cognition for young learners. Break down the exciting things they’ll learn and some of your expectations using appropriate icons. Curriculum Journeys and SyllabiĪ friendly, picture-first welcome into a new class helps students not feel overwhelmed. Use icons to accentuate events on a timeline, or examine multiple facets of a time period or concept with a more in-depth graphic organizer. Historical Timelines and Graphic Organizers Choose a large or small format card to print. Simple Flashcards to Print at Homeīuild your own simple flashcards with pictographic cues - on everything from science concepts to common nouns in a foreign language. To use the Noun Project Google Add-On, locate the search window under Add-Ons > Icons by Noun Project > Search Icons, and sign in to your NounPro account to access the entire Noun Project collection.Ĭlick any of the pictures or headline links below to jump to a template you want. You can download icons from or download the Noun Project Google Add-On. You can find our education templates on Google Slides at this link. Here are a couple of tips and tricks to get started using Noun Project icons to make your lesson plans stick: Getting Started Dual coding theory states that the most effective learning happens when verbal and visual cues are combined.Ī quick Twitter search of “ #DualCoding” and “ #GraphicOrganizer” will reveal a dedicated online community of educators discussing best practices for using iconography and other visual tools to supercharge their lesson plans. Our brains are visual - a new concept rendered with a picture can be digested in a fraction of the time compared to a verbal or written description. Consider the classic example of road signs - our highly visual brains will more quickly grasp a concept rendered pictographically, rather than strictly in writing. Dual coding has advanced our understanding of visual learning as a necessity rather than a nice-to-have, as even a simple icon or pictogram, when paired with a concept in writing, will “stick” in a student’s mind far more effectively than the written concept alone. The Importance of Visual Learningĭual Coding Theory, first coined by Allan Paivio, recognizes that learners absorb information more easily - and can better retrieve it later on - when they’re given both verbal and visual cues to “encode” a concept in their minds. Each of these Google Slides templates can be duplicated for editing, or simply browsed for your own inspiration. We’ve created a suite of simple, icon-loaded education templates to print or use digitally. Now, as teachers around the world shift to remote learning, piecing together lesson plans and materials for virtual classrooms can be even more challenging. The use of visual aids in education has proven vital for classrooms since time immemorial, from preschool through senior year. Educators have always been faced with a daunting but heroic task: breaking down key concepts to make lesson plans both memorable and engaging enough to hold students’ attention.
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Molten Depths exist largely to correct another massive oversight, the Acari boss. Two of them are fairly generic stages, though they have cutscenes and voice acting, a massive touch for a free addition. It makes doing a mission far more worthwhile since you’re guaranteed something after a specific point.Īs for the new expeditions, they check a lot of boxes, though the value will vary. Now his shop can be rerolled for new gear or trade drop pods for a random legendary. Previously he offered a specific set of legendary gear and it either was or was not useful to you. However, it does make collecting low-tier loot if you want to collect every design.ĭepending on your luck, obtaining gear is a little easier thanks to the changes in Tiago’s Store. This can be annoying, especially if you previously had legendary items. It also counts any currently held item, though it does not include items previously obtained but any longer held. No need to find a vendor, exchange it for resources, just pick it up and you can use that design. Transmog not only corrects this, but it also does so in a way with only one negative.Īny item collected will instantly unlock that design. This is just one example, though there are countless costume and weapon skins that look amazing, even if they’re impractical to use. It required a specific playstyle, one many players did not care for, which also fell short of other rifles’ potential combos. The downside was always clear though.Ĭertain weapons, such as Rarog’s Gaze, weren’t advantageous to use. With gear having specific perks and only one perk can be changed, endgame armor quickly became obtaining the perks you need and collecting the right combo on epic (purple) rarity gear or chase after legendary (gold) tier items. Out of all the bad choices Outriders made, costumes had to be the biggest. With them being gone, it’s less of a question of what you’ll get and more can you win or not. It also made specific stages more lucrative, only to be nerfed to the point where they were almost impossible, leaving the community rather frustrated. This wasn’t in the sense that you were given 30 minutes to do a 10-minute task and more like a great team with a strong build could do a 15-minute task in 13 minutes. Previously players would have time limits to earn rewards, many of which were very demanding. One of the most welcome was removing timers from the ill-fated endgame mode, expeditions. In the grand scheme not much has changed. In previous years we would’ve seen a sequel with these changes or possibly a new expansion that adds them passively through various things, except they’re free and largely player-friendly. With this being a free upgrade, is it a worthwhile revision or does it still fall short?īefore discussing the changes, it’s important to touch on People Can Fly and Square Enix taking some of the criticism to heart and attempting to make a better game. Unfortunately, Outriders never became that game for a myriad of reasons, but Endgame 2.0 promises to fix some of these issues. We’ve seen the benefits with Microsoft and Sony pushing each other to vary highs, to the point where we have some legitimately nice systems. Even if I enjoy Destiny at varying levels over the years, competition would improve gaming as a whole. The first was Godfall, the previously next-generation loot-driven melee experience, with the other being Outriders. This past year there were two games I had hoped would succeed. This includes the methods of payment you accept, such as check, credit card or online payments. Include Payment TermsĪdd the details of your payment terms to the bottom of the invoice. Much like your total cost, you’ll want to make this information immediately noticeable on the page so customers make note of the deadline. Include the deadline for payment on your invoice, listing the precise date the money is due. Make sure the balance due is the most prominent information on the page by using a large, bold font or a different font color. Add the Total CostĪt the bottom of your invoice, include the total amount due for the sale, including all applicable tax. The easiest way to display all these details in a digestible format is to create a table with separate columns for each piece of information. A brief description of each product sold.The list of items should provide the following details: In the main section of your sales invoice, include an itemized list of all the goods included in the purchase. Depending on your financial accounting method, this could be the date of the sale, or the date you’re sending the shipment. Add the DateĪdd the date toward the top of your sales invoice. List their full name, shipping address, phone number and email address. Next, enter your customer’s contact information. Include Contact DetailsĪlso in the header, add your business contact details, include your business name, address, phone number and email address. To make a sales invoice and get paid for your products, follow this easy guide: Add Your Company LogoĬreate a header for your invoice and add your company’s logo at the very top of the document. Small businesses generate sales invoices to charge customers for their goods sold and provide a detailed record of the transaction. Sales Invoice Template How to Make a Sales Invoice These topics will teach you how to make a sales invoices to get paid for your goods and services: Whether you sell products in a brick and mortar store or run an ecommerce business, invoicing customers properly can help you get paid faster for your sales. To make a professional invoice, you should include a brief description of each item sold, the cost of each item, the total amount due and the payment due date. Business owners can make simple invoices that cover all the details of a sale in order to request payment for the goods sold. Small businesses need to create accurate sales invoices to give to customers every time they make a sale. Step 4: Finally, top your frappuccino off with a sprinkle of chocolate chips and a drizzle of caramel syrup and it’s ready to enjoy!īy following these simple steps you can easily make a homemade Starbucks Caramel Crunch Frappuccino. Once you’ve added all your ingredients to the cup, take a spoon and gently swirl them together. Step 3: Start to layer the frappuccino into a mug or glass, alternating between the ice, caramel syrup and chocolate chips. Step 2: Add 1/2 cup of chocolate chips, and blend the mixture on low speed just until the chips are chopped into tiny pieces. Blend the ingredients on high until you have a smooth consistency. Step 1: Start by combining 1 cup of ice, 1/2 cup of heavy cream, 1 tablespoon of caramel syrup and 1 teaspoon of instant coffee in the blender. Making your own Starbucks Caramel Crunch Frappuccino at home is surprisingly easy! All you need is caramel syrup, chocolate chips, heavy cream, instant coffee, ice, and a blender. Because of this, and out of an abundance of caution, Starbucks initiated an immediate recall of the product.įortunately, no illnesses were reported as a result of the mislabeling. This could have posed a serious risk to customers with milk allergies, especially since the syrup affected both cold and hot Frappuccino drinks. All the Frappuccino drinks served by Starbucks contain milk, however the Caramel Crunch Frappuccino syrup was not properly labeled and did not contain information about milk allergen. Starbucks recalled its popular Caramel Crunch Frappuccino back in June 2019 due to an undeclared milk allergen in the Frappuccino syrup. I mean, there's been a lot of attention, obviously, on the decisions to flag some of Donald Trump's tweets. Lichfield: Let's talk a little bit about some of the things you've done over the last couple of years. Uh, and that's where some of the challenges and our understanding of what healthy public organization means is still emergent for us to be able to boil it down into these simple metrics. The challenges two years ago, as we understood them are very different today. The challenge lies in being able to measure them in a way that is able to evolve as the conversation evolves, in a way that is reliable and can stand the test of time, as the conversation two years ago was very different from the conversation today. Lichfield: Do you have a sense of what an example of such a metric would look like?Īgrawal: So when we set out to talk about this, we hypothesized, there were a few metrics around, do people share a sense of reality? Do people have diverse perspectives and can be exposed to diverse perspectives? We thought about is the conversation civil, right? So, conceptually these are all properties we desire in a healthy public conversation. But I'm also excited about all the other avenues of research this approach opens up for us. And I still hold out hope that with this open-ended approach, there'll be academics and our collaboration with them, which will ultimately lead us to understand public conversation and healthy public conversation enough to be able to boil down the measurement to few metrics. So in some sense, I'm glad that we set out on that journey. Uh, we've seen research across four 20 countries, access it. And one of the things that directly led to that conversation was in April, as we saw, uh, COVID, uh, we created an end point for COVID-related conversation that academic researchers could have access to. Uh, and there are a bunch of API related products that we'll be shipping in the coming months. But what's remained is us realizing that we need to work with academic researchers outside of Twitter, share more of our data in an open-ended setting, where they're able to use it to do research, to advance various fields. What's changed is whether or not we are prescriptive in trying to boil things down to a few numbers. And this conversation has informed a change in our approach. What we realized in working with experts from many places is that it's very, very challenging to boil down the nuances and intricacies of what we consider a healthy public conversation into a few simple to understand, easy to measure metrics that you can put your faith in. “They believe they can use their influence inside Twitter to either repress speech that they don’t like or potentially track their enemies.Agrawal: Two years ago in working with actually some folks at the MIT media lab and inspired by the thinking, we set out on a project to work with academics outside of the company, to see if we could define a few simple metrics or measurements to indicate the health of the public conversation. “My belief is that the Saudis stay in because they’ve got a political agenda, and that political agenda is likely not to increase political speech on Twitter’s platform,” Murphy previously told POLITICO. Murphy told POLITICO that if CFIUS fails to act, he wants Congress to investigate. Murphy wrote to CFIUS in late October calling for a review of the foreign investors in Musk’s purchase and if they have any outstanding influence in how Twitter operates. review would take place, Biden said, “there’s a lot of ways,” but declined to elaborate. transactions - could be reviewing the Saudi ties.Īsked how a U.S. government is currently retroactively reviewing the purchase, but recent reports indicate the Treasury Department’s Committee on Foreign Investment in the United States - tasked with investigating foreign investments in U.S. Responding to a reporter’s question, Biden didn’t confirm whether the U.S. The 10 best movie drinking games to play on Netflix The photography is worthy of a coffee table display, and if you're like us you'll be paging through it weekly for inspiration.The 19 best food documentaries of all time There are plenty of weeknight dinner ideas as well as dinner party recipes, and Madison's writing makes for a great read for cooks new to vegetarian cooking as well as seasoned chefs. In My Kitchen includes updated dishes from her classic books and others such as Roasted Jerusalem Artichoke Soup with Sunflower Sprouts and Olive Oil, Almond, and Blood Orange Cake. One of her latest is a carefully curated collection of vegetable-focused recipes that also became a James Beard Award finalist. Vegetarian Cooking For Everyone is a classic that serious home cooks undoubtedly own (along with a few others she has written). Full title: My New Roots: Healthy Plant-Based and Vegetarian RecipesĬhef and food writer Deborah Madison quite literally wrote the book on vegetarian cuisine in America.The book touts revitalization through food, and at the very least there are delicious options here that any home cook can enjoy. Each recipe was developed and photographed in its season so cooks can anticipate the freshest and most relevant dish ideas in any month. The book is divided into five seasons (summer gets two sections, early and late). Britton also includes step-by-step instructions for cooking beans and grains and making nut and seed butters from scratch at home.Īll of the recipes in My New Roots are vegetarian, and most are vegan, including fresh desserts like apricot rhubarb clafoutis and savory options like the spring hand pies. Home cooks avoiding dairy or gluten will appreciate this collection of recipes. The seasonal recipes promote cooking with whole foods instead of processed or refined ingredients. Sarah Britton's blog and namesake book is a great companion for simple, healthy eating. Full title: Open Kitchen: Inspired Food for Casual Gatherings.It also includes a few party menus to help you plan food for a gathering from beginning to end-a dream for busy households and type A cooks. The recipes revolve around centerpiece meals to be shared family-style and the usual sauces, sides, salads, and desserts sections. Spungen's book runs through what ingredients to keep in your pantry, recommendations for equipment to invest in, and where to buy ingredients straight from the source from brands that ship nationwide (King Arthur Flour, NY Shuk, and Rancho-Gordo Beans, to name a few). For home cooks who often dine with family and friends, learning the best ways to prepare food ahead of time can make every gathering feel fun and effortless. Her stress-free prep tips are as helpful for hosting as they are for weeknight dinners. Susan Spungen, the founding food editor of Martha Stewart Living, shares accessible recipes for vegetable-forward, delicious meals in Open Kitchen. Read on for some of our favorite vegetarian cookbooks to devour right now. Titles from José Andrés, Yotam Ottolenghi, and Hetty McKinnon offer delicious vegan and vegetarian ideas for all meals and seasons. Though plant-based eating is hardly new (many cultures have done it for centuries), many great chefs have leaned into it even more in recent years for both health benefits and environmental sustainability. Vegetarian cooking doesn't need to be complex to be rewarding, and these books demonstrate how to do it right. This list of cookbooks has everything you need to round out your repertoire of delicious vegetarian recipes. Whether you're looking for new vegetable-forward recipes to try, practicing veganism a few days a week, or don't regularly eat meat in the first place, a great vegetarian cookbook is a treasure for every cook's modern kitchen. Getting creative with seasonal produce can feel like a refresh in life and inspire new ideas when you're stuck in a cooking rut. If you're turning over a new leaf or two, your cooking regimen can be a great place to start. Walker-Miller: I was on the Internet a lot and reading legislation and tracking trends. I’d subcontract the skills I didn’t have. I would go in independently and be in charge of an audit report, and I’d charge for upgrades and retrofits. One of our skills was doing energy audits for buildings. Walker-Miller: We were able to purchase and sell things. Walker-Miller: By crying a lot and being stubborn and determined and by the grace of God.Īdams: How did you turn the business around? It was painful and lonely and it was not just my company but the entire business ecosystem. My twin sons went to college in 2008, and our home lost 80% of its value but our mortgage didn’t change. I got down to zero employees and $250,000 in debt. We had re-stock and cancellation charges, salaries, and money we’d borrowed to hold onto people, thinking there was going to be a turnaround. I was left with no prospects for growth or even for a way to hold on. The orders we’d processed were canceled and there were no new orders. Walker-Miller: I ran into trouble when the economy turned. Walker-Miller: Between 20 we built a staff of 11 people and our average operating revenue was $10 million. Utilities were trying to diversify their supplier base so it helped that I was a black female. My proposal to ABB was, you pay me what it would cost you to operate my office, and I’ll become an independent business instead of an ABB employee. I was the Michigan distributor for ABB’s equipment. That stands for transmit and distribute and it includes power circuit breakers, large power transformers and meters. Walker-Miller: I distributed T&D products. In this interview, which has been edited and condensed, she recounts how she built the business and why she likes to hire people who are unemployed.Īdams: What did the business you started do at the outset? She has 75 employees, $24 million in 2017 revenue, and says her business is profitable. Today, the company, Walker-Miller Energy Services, has contracts with several Michigan utilities to evaluate and reduce residential energy use through retrofits that include LED bulbs, low-flow shower heads and new thermostats. On her own she bought and sold equipment and hired herself out to do building energy audits. It took her two-and-a-half years to get back into the black. A quarter of a million dollars in debt, she laid off all 11 of her employees. It did well but when the economy crashed in 2009, her business crashed with it. So she quit her job and started a business distributing energy products like circuit breakers and large power transformers for her former employer. Walker-Miller Energy ServicesĪfter an 18-year corporate career, Carla Walker-Miller, then age 41, concluded that, as an African-American woman, she wasn’t getting the opportunities she deserved. (The percentage CC received varied due to discounts given families with multiple children enrolled.) On two occasions, CC’s cut was as much as 33% to 60% of a director’s total revenue. Of that, CC received 100% of registration fees ($55 to $145 per student for younger students) as its “licensing” dues, and 12% of tuition fees collected for each 7th- to 12th-grade student per semester. When averaged, the directors collected about $20,000 in tuition and fees during a school year. The rest came from Carol Topp, a certified public accountant based in Cincinnati, Ohio, who received the data from five other CC directors for a book she wrote. Some data came from two directors interviewed by The Roys Report. The Roys Report also obtained data regarding annual program-related income and expenses from seven directors for their years with CC-from 2012 to 2018. Several were reluctant to speak on-the-record because CC had required them to sign a non-disclosure agreement. Some were tutors or directors of local programs others served as CC area or state representatives. Over several months, The Roys Report interviewed eight former CC contractors across six states. In state after state, it’s a story repeated with only slight variations about CC. Evangelicals: A Biblical Critique of a Wayward Movement” by Constantine Campbell. Give a gift of $30 or more to The Roys Report this month, and you will receive a copy of “Jesus v. She took in thousands of dollars in registration and tuition fees from parents-a hefty percentage going to CC corporate-but her income was nearly nothing. Parents who responded to her pitch were shuffled off to nearby local CC chapters. The local chapter never grew, despite her skill at networking and selling the program. With 14 years of prior teaching experience, she easily recruited mothers of school-age children to the CC program, which met weekly in a local church.īy her third year, Bothur began to think she was set up to fail. She worked six months as a tutor, and over five years as director. Starting in fall 2013, Kristi Bothur, a mother of two children who earned a master’s degree in curriculum, spent six years working with a CC chapter in Columbia, South Carolina. Meanwhile, CC is taking in millions in what whistleblowers and insiders allege is a multi-level marketing (MLM) scheme. Yet according to analysis by The Roys Report, local directors make next to nothing working for CC. (CC) bills itself as a leading faith-based homeschool education company that enables homeschooling parents, upon being contracted as local CC directors, to make extra income while providing an important local ministry. Augustus is a statement pendant that adds the right amount of. If you have specific questions or information about content, the website, and applications, please contact us. The Terra series is a collaboration between ceramicist Danny Kaplan and In Common With. However, Get Archive LLC does not own each component of the compilation displayed and accessible on the PICRYL website and applications. Get Archive LLC is the owner of the compilation of content that is posted on the PICRYL website and applications, which consists of text, images, audio, video, databases, tags, design, codes, and software ("Content"). In 1843 Augustus De Morgan published the article Trochoidal curve in the. Get Archive LLC does not charge permission and license fees for use of any of the content on PICRYL, however, upon request, GetArchive can provide rights clearance for content for a fee. Henry Perigal Jr, the subject of this biography, was the first of his parents. AMERICAN GALLERY Greatest American Painters Home General chatter Artists AABERT Margaret ABBEY Edwin Austin ABBOTT Samuel Nelson ABEITA Jim ABRAM Adam ACEVES Jose ACKRILL Anthony ADAMS Cassilly ADAMS DARLING Marjorie M. (American, active 1860s) Person in Photograph: Person in photograph Henry Augustus Loop (18311895) Date: 1860s Medium: Albumen silver print Dimensions: Approx. LOOP Henry Augustus AMERICAN GALLERY Posts about LOOP Henry Augustus written by M.R.N. GetArchive believes there are no usage restrictions or limitations put on content in the U.S. Title: Henry Augustus Loop Photography Studio: C.D. Permission for use, re-use, or additional use of the content is not required. Get Archive LLC, creator of PICRYL, endeavors to provide information that it possesses on the copyright status of the content and to identify any other terms and conditions that may apply to the use of the content, however, Get Archive LLC offers no guarantee or assurance that all pertinent information is provided, or that the information is correct in each circumstance. PICRYL makes the world's public domain media fun to find and easy to use. PICRYL is an AI-driven search & similarity engine. PICRYL is the largest media source for public domain images, scans, and documents. The World's Largest Public Domain Media Search Engine Because of their saturation, the various colours are able to converge organically and contribute perfectly harmonized texture and visual interest to the shot without departing from a subdued design.įrames from The Trail of the Lonesome Pine. As such, hard colour contrasts are rejected in favour of a mixture of neutral (gray and beige) with analogous hues (red-rose and brown) of roughly constant saturation and subtly graduated brightness. The film's design also combines details of flat, unsaturated colours to produce a varied - though neutralized - background for action. Dominated by cabin interiors and woodland, the setting of Hathaway's picture is generally rendered in shades and tones of brown and gray when other hues are present (mostly in green foliage and blue sky) they often possess a pronounced gray undertone. Whereas Becky Sharp indulged in highlights against a neutral background, The Trail of the Lonesome Pine deliberately avoided using accents, instead varying the neurals to create a more complex texture. The use of subdued colours made the scenes look more like real life. One of the top five highest-grossing pictures of the year, The Trail of the Lonesome Pine served as the model for a brief cycle of colour «ecology dramas,» including 20th Century Fox's Ramona (1936) and Warner Bros.' God Is Where You Find It (1938).įrames of The Trail of the Lonesome Pine, showing the characters wearing mostly gray clothes. Dave eventually sacrifices his own life to end the violence between the families, opening the way for June to marry Jack, who has by now turned her into the sophisticated lady that she had always wanted to be. This romantic entanglement is complicated by a feud between the Tollivers and the Fallins, who inadvertently kill June's little brother Buddie (George «Spanky» MacFarland) in a bombing at his construction site. Based on John Fox Jr.'s eponymous 1908 novel, this Paramount release centers on a love triangle between coal-company engineer Jack Hale (Fred MacMurray), wild country girl June Tolliver (Sylvia Sidney), and her fiancé and cousin, Dave Tolliver (Henry Fonda). The landmark film in the restrained mode was Henry Hathaway's The Trail of Lonesome Pine (1936), which was also the first three-strip Technicolor feature to be shot on an outdoor location. The final stage in Process IV consisted of bringing the matrices for each strip into high-pressure contact with the receiver, which imbibed and held the dyes, thus rendering a wider spectrum of colour than previous technologies. Since this was also a subtractive system, the dyes were complementary to the colour of light recorded by the negative printed on it: cyan for red, magenta for green and yellow for blue. The three negatives were printed onto the corresponding matrices (one for each colour), which were then developed, bleached and washed to form reliefs that could absorb the dyes for the imbibition process. Using a special dichroic beam-splitter equipped with two 45-degree prisms in the form of a cube, light from the lens was deflected by the prisms and split into two paths to expose each one of three black-and-white negatives (one each to record the densites of red, green and blue). In response to the sudden decline in colour films, Kalmus and his associates introduced the Technicolor Process Number IV, which, unlike its predecessors, recorded all three primary hues. Since dye imbibition was not suitable for printing optical soundtracks, which required very high resolution, the blank stock used for sound-on-film system was a conventional black-and-white stock on which the soundtrack, as well as the frame lines, had been printed in the regular way prior to the dye transfer operation. The two strips would then come into direct contact in a machine that used pressurized rollers to emboss the dyes in colours nominally complementary to those of the camera filters into a single print, thus eliminating some of the problems that had become evident with the double-cementing method. This technique involved the coating of a normal thickness 35mm matrix with the appropriate dye and its subsequent transfer onto a special blank stock. The two strip negatives were exposed in the same fashion as in the previous cement method, only this time the two images were printed on the side of the positive through the incorporation of dye imbibition. A crucial step in the Technicolor system was taken in 1928 with the introduction of dye-transfer printing, known as Technicolor Process Number Three. |